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Some old music and jams from the past created in a studio we built in New England while collaboarating with PCK.
I co-founded a Non-Profit project for the community and arts based out of MA. Worked with a team of amazing supporters, contributors, friends, artists, and members of Vibe City. Focused on the the advancement of independent art, creativity, positivity, love, and the success and sustainability of community, and the role that Vibe City and it's members play in these important fields; both current and past members and their creative and passionate endeavors. We hosted numerous events and seminars with artists looking to expand their consciousness and follow their dreams. It's a wonderful DIY community. I wore many hats during these inspiring years. I managed a band directly involved with the project. We built a studio to create, record, and practice all forms of expression and creativity through sound and art. I built a live streaming service to broadcast our activity. Purchased more music/art equipment, lighting, event gear, decorations, building materials, and studio tools than I can count. Helped manage, coordinate, plan, and execute all of our events. Built and maintained our web presence. Completed numerous paintings and recorded multiple albums. And evolved together with a growing, caring collective of people.
A piece I wrote in 2007 discussing Auteur Theory in relation to cinematography- holding that a director's film reflects the director's personal creative vision, as if they were the primary "auteur". Table of Contents: Introduction Defining Auteur Theory The History of Auteur Theory Characteristics of Auteur Film Auteur Directors Auteur Theory and Film Discourse Rise to Auteur Status Does Auteur Truly Exist? Collaboration vs. Auteur Theory The Social Impact on Auteur Theory Impact of Other Directors Summary and Conclusions References
Auteur Theory by on Scribd